Imagination willy wonka piano3/1/2024 There are also subplots in which Willy has to learn to read, borrow a giraffe from a zoo, find the parents of his streetwise sidekick Noodles (Calah Lane), and break into the villains' lair, which happens to be directly beneath a cathedral. A remarkable percentage of the running time is taken up by Willy being forced to work in a launderette by two Dickensian grotesques played by Tom Davis and Olivia Colman (who, judging by her performance here, should really have been cast as Trunchbull in Matilda the Musical). Having made one of the best children's films of recent times – all right, one of the best films of recent times, children's or otherwise – they were granted the opportunity, and the budget, to do whatever they wanted with Willy Wonka, and they didn't hold back.īut that's not all. The good news is that the film is directed by Paul King, co-written by King and Simon Farnaby, and produced by David Heyman, ie, the team behind Paddington 2. Dream Scenario review: 'Nicolas Cage is on peak form' Napoleon is 'an awe-inspiring achievement' Julia Roberts stars in a 'timely' and 'chilling' thriller And so, just in time for Christmas, we have Wonka: an unfortunate title, but what else were they going to call it? But, the film industry being what it is, a big-screen prequel was as inevitable as Violet Beauregarde's decision to try the forbidden chewing gum. Performance duration is about 6 minutes, but shorter versions of the arrangement are possible such that the swing section or the dream section (or both) can be omitted, with directions for this marked in the score in bars 25 and 74.įingering suggestions are provided in many places, but these will not suit all hands and alternative effective fingerings are possible.Not many of us have ever wondered about the backstory of Willy Wonka, the wizard-like confectioner from Roald Dahl's classic 1964 children's novel, Charlie and the Chocolate Factory. From bar 116 a coda takes the opening three notes of the melody and wistfully explores them in a chromatic and richly harmonized descent towards a peaceful close. ![]() ![]() In bars 99-115 the arrangement returns to the style of the opening. In this section the accent marks in the score do not indicate strong accents, but indicate where moderate emphasis is required to bring out the melody above the surrounding accompaniment. During bars 70-74 the tempo slows and the mood changes in preparation for a very different dream-like presentation of the song, where the melody is mostly played by the left hand with the right hand providing a rippling accompaniment that gently splashes across a wide range of the keyboard. The tempo then picks up for a swing exploration, at a relaxed tempo, of the song in bars 25-74. The song is first presented in a gentle jazz ballad style (bars 1-24). ![]() A performance can be viewed at /c/rupertaustin/videos. If someone skips a beat or misses a measure, you can now see wherethey are and reconnect! This also helps with sight-reading and keeping the grouptogether in general.Īn arrangement for solo piano of the much loved song from the 1971 film Willy Wonka and the Chocolate Factory. This is so amazingly useful and has saved countless performancesin the past. ![]() This makes it so the songs can fit into a binder, without theneed for flipping pages!Īnother great thing (for multi-instrumental arrangements) is that I include cue lineson each part, so that every player in the ensemble can see one other person?s musicat the same time. One thing that sets my arrangements apart from others is that I fit all of my partson 2 sheets of music. The 1st Violin and Viola trade-off the melody. This String Quartet arrangement of ?Pure Imagination? can also be performed with a String Trio, since the 2nd Violin part is optional.Most listeners will recognize this tune from the movie ?Willy Wonka & TheChocolate Factory.? It really is a lovely song, full of opportunities for lush harmoniesbetween the voices.
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